Hi there!
Hi there!
I'm a graphic designer with a BFA from George Mason University,
working mostly in InDesign, Illustrator, and Photoshop. But I didn't start
there—I grew up with colored pencils, graphite and oil pastels, and that
traditional foundation still shapes how I work now: slow, deliberate, a
little obsessive about getting the details right.
Design, to me, is less about the final polish and more about the care that
gets you there—understanding who a piece is really for, sitting with a
concept before rushing to execute it, staying honest to what a brand or
community actually is rather than what looks good on the surface. I'm
drawn to work that feels warm and human, not just well-made, and to
teams and clients who care about that same kind of intentionality.
Outside of design, I'm usually dancing—choreographing or performing—
or chasing the small, easy-to-miss moments worth capturing through
photography. Different mediums, same instinct: pay close attention, then
make something worth looking at twice.
I'm a graphic designer with a BFA from George Mason University, working mostly in InDesign, Illustrator, and Photoshop. But I didn't start
there—I grew up with colored pencils, graphite and oil pastels, and that traditional foundation still shapes how I work now: slow, deliberate, a
little obsessive about getting the details right.
Design, to me, is less about the final polish and more about the care that
gets you there—understanding who a piece is really for, sitting with a concept before rushing to execute it, staying honest to what a brand or
community actually is rather than what looks good on the surface. I'm drawn to work that feels warm and human, not just well-made, and to teams and clients who care about that same kind of intentionality.
Outside of design, I'm usually dancing—choreographing or performing—or chasing the small, easy-to-miss moments worth capturing through photography. Different mediums, same instinct: pay close attention, then make something worth looking at twice.
I'm a graphic designer with a BFA from George Mason University, working mostly in InDesign, Illustrator, and Photoshop. But I didn't start there—I grew up with colored pencils, graphite and oil pastels, and that traditional foundation still shapes how I work now: slow, deliberate, a little obsessive about getting the details right.
Design, to me, is less about the final polish and more about the care that gets you there—understanding who a piece is really for, sitting with a concept before rushing to execute it, staying honest to what a brand or community actually is rather than what looks good on the surface. I'm drawn to work that feels warm and human, not just well-made, and to teams and clients who care about that same kind
of intentionality.
Outside of design, I'm usually dancing—choreographing or performing—
or chasing the small, easy-to-miss moments worth capturing through photography. Different mediums, same instinct: pay close attention, then
make something worth looking at twice.

Let's make something worth looking at twice.
Open to new projects, collaborations, or just good conversation!
Let's make something worth looking at twice.
Open to new projects, collaborations, or just good conversation!
Let's make something worth looking at twice.
Open to new projects, collaborations, or just good conversation!